Arne Glimcher is 83 years old, has over 60 years of business experience and already boasts an extraordinary longevity as a top art dealer. But he is still expanding his range.
Glimcher, founder and chairman of Pace Gallery, plans to set up a new space at TriBeCa, which will open in September, called Gallery 125 Newbury, named after the address in Boston, where Pace started in 1960.
“I will return to my roots,” Grimcher said of the new location. This place is under the umbrella of Pace, but it’s a kind of sandbox for him. “It’s a project space for thematic shows that you want to do.”
The first is an exhibition about “Futurism”, not a movement in the early 20th century, but a work of a contemporary artist who transcends positive culture. He wasn’t ready to name the artist yet.
“I’m essentially a curator, I’m always,” Grimcher said in an interview. “I’ve always wanted to be the director of MoMA, so this is my little contemporary art museum.”
Pace’s president and chief executive officer, Mark Grimshire, explains the octet’s non-retirement plans:
Programming at 125 Newbury, which has five shows a year, includes veteran artists already with Elder Grimcher, such as Richard Tuttle, Samaras, Lucas Samaras, and Robert Irwin, and he has been with him for decades. The mansion of the artist who worked may be included, such as Louise Nevelson, Chuck Close, Agnes Martin. Emerging artists are promised, and there will be artists whose pace is not officially represented as a project space.
Tribeca’s location on the corner of Broadway and Walker Street is perhaps the city’s most vibrant gallery district, 3,900 square feet, refurbished by Bonetti / Koselski, the company that designed the paced eight-story flagship in Chelsea. Will be. Grimcher, like the designated teams Kathleen McDonnell, Talia Rosen and Oliver Schultz, will split the time between the two galleries and will hire more people to staff in the new space. Will be.
The family has turned the pace into a global business, with nine outposts from Seoul to Geneva. A large list of artists means that even the founder’s ideas may not be immediately feasible.
“Sometimes I have to postpone my schedule. I might be able to realize my idea in two years,” Grimcher said with a laugh, adding, “I’m too old for that.” rice field.
When Grimcher talked to his son about 125 Newberry, the first reaction was “what are you talking about?” Mark Grimshire said.
“But I wasn’t too surprised,” he continued. “He said he wanted space for his creativity, and we don’t want to suppress his voice,” Grimcher said, making it harder to tell his father that there was no room for brainstorming. He added that.
During Elder Grimcher’s long career, he has been involved in the production of feature films, the director of The Mambo Kings, and the production of Gorillas in the Mist.
More recently, in 2020 Pace collaborated with two other powerful galleries, Aquabella and Gagosian, to personally sell the artwork left by investor Donald B. Maron, who died in 2019, with Mark Rothko. Willem de Kooning.
However, few dealers can talk about the artist himself, as Grimcher can do. A good example of this was in the mid-1980s when he and Louise Nevelson visited the East End de Kooning in a heavy storm. They were involved in an accident that summed up their cars, but she insisted on hiring a car service and making an appointment with a great painter.
“We were soaked, so Bill gave us the clothes we would wear while we were dry,” Grimcher said. “Imagine we are sitting there in de Kooning’s clothes.”
He sounded enthusiastic about working on a new project, adding, “I’m doing this because I’m very interested in it now and love my life now, not looking back at things.” I did.