Home: Village. All architecture implicitly carries a vocation of ruin, and such conditions are the final form in which architecture enters and returns to nature. From this potential fate, we are interested in unfinished physical expression, changes in time and rigor, how the work is gradually taken up by the landscape, and slowly as a whole its peculiarity. It has been resolved. The house is thought of as a house divided by concrete and stone capes coming out of the hills and walls. It is created by knitting and repeating 5 x 5 meter volumes of the same dimensions on the floor, changing heights and tilting the roof. Enlightenment codes, clearly represented by strategic voids, patios, walkways, and crevices, give place to the outside and protect seeds from local forests. There are Red Quebracho, Celtis Tala, Vachellia caven, Bacchari, etc., but inside it is a “medieval mountain village”, which is the “street” of the warp threads of this stone. The wall box that separates the empty space as important as the perfect place filters the surrounding landscape, the exterior space is tuned for its use, protects from the prevailing winds, and is oriented according to the rotation of the sun. ..
The main cycle connects the outside with the center of the house. It is embodied as a volume of purely horizontal concrete, and due to the slope of the land, it is separated from the ground at a height of 2.20 meters in the access sector, gaining the physiognomy of the box beam, and the focus is on the zenith that borders the sky. window. Every time someone goes in and out of the house, they unknowingly perform the old-fashioned gesture of looking at the sky. This is the vertical infinity that regains our exact scale in relation to the universe. This cycle fills the unevenness of the land and reveals all the space in the house. It’s a place where people always go through. For this reason, it plays a central role in the project, providing continuity to the outside landscape through perforations leading from inside the house to the inside and outside gardens, creating a transitional atmosphere between the outside and home environment. A “main corridor” that links, orders, and connects the remaining rooms horizontally and vertically because it is connected to the main staircase in the rest of the middle. A typographical decision to provide unique services for both upstairs and ground floor rooms, always equidistant and half level from the main meeting space set around the kitchen and fireplace.
The kitchen is the center of life in this house. The client’s request is represented by a typographical composition of the dwelling. It is an arrival and stay space where the interior communicates in different directions, open with the power of the exterior space and its landscape. It constitutes a sheer place of average height and is presided over by a countertop / bar off the ground like a sculptural or culinary altar that dominates during family time, meeting with friends and their experiences. , Gastronomic rituals are scattered. The material state defines and qualifies this house, through which the techniques used throughout are expressed. Silop formwork wall technology is a craftsmanship carried out from the experience of local workers using stones, and after the casting process, it begins to wrap the mortar and print the texture of the wood that compresses the stones. It is also constructed by “errors”, the changes in arrangement that appear on the walls as the structure rises, the random distribution of stones according to the origin of the quarry from which the stones were extracted and the color of their minerals is a physical feature. Gives a tactile stimulus to the limits of space. The walls act as structural calligraphy arranged with text, marks and signs, and when exposed to seasonally changing light conditions and their incidence, they bring about infinite changes. Desolate materials are exposed to the weather and time is the material procedure for this house to begin to interact with the surrounding landscape.