De Anza’s Euphrat finds ‘common ground’ with new exhibit – The Mercury News

by AryanArtnews
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The Euphrat Museum will jump to Silicon Valley Lead next year and hold a face-to-face exhibition that fits the event’s theme of “kindness, resilience and power of hope.”

The De Anza College Museum will be open to the public from December 18th to Saturday.

The “commonality” artwork, also available on the Euphrates website, explores the US-Mexico border and immigrant experiences, historical influences, and revolutionary calls for love. These themes reflect the theme of the featured memoirs of Silicon Valley Reads 2022. Reina Grande’s “A Dream Called Home” and Valley Cowl’s “See No Stranger”.

Leaning against the wall near the entrance to the museum is Hector Dio Mendoza’s 16-foot sculpture “Hold / Leaning / Push”, with his hands lifted into the air and someone in a restrained position. .. Mendoza’s “Heracles / El Mundo” and “Pulling / Jaland” depict a bent figure, one carrying a large round bunch and the other pulling a large elongated bunch across the floor. Their feet are covered with bark, like the trunk of a tree, and are elastic yet fragile.

Mendoza’s drawing “White Wilderness / Maleza Blanca” explores the complex relationships between nature and immigrants, race and class. Maleza is a weed or undergrowth, a plant that takes root in unwanted places. In the drawings, the silhouettes of layered plants create a detailed landscape that tells the beauty of the wilderness and the unknown tension.

Tom Kiefer’s “El Sueño Americano / The American Dream” is a photographic document of personal belongings carried by immigrants and asylum seekers confiscated by US Customs and the Border Protection Agency at a processing facility near the US / Mexico border in Arizona. The pictures in his paintings honor the people who carried these belongings across the desert.

While working part-time as a caretaker at the facility, Keefer asked for permission to retrieve canned food from the trash. Food was carried by immigrants and confiscated and discarded by border guards. He wanted to take it to a local food bank so it wouldn’t be wasted. When he started collecting food, he saw what else was thrown away: family photos, diaries, rosaries, Bibles, purses, shoes, blankets, children’s toys and other belongings.

These confiscations thought he was wrong. “The cruelty of removing such personal items from vulnerable people is inhuman to both those who have belongings and those who enforce this policy,” says Keefer.

Nye’Lyn Tho’s “Natural Heir” series is a visual pun about African diaspora people embracing natural hair. She points out that in 2019 California passed a crown law to ban discrimination against workers and students based on natural hair. Just a month ago, Louisiana made dealing with textured natural hair a mandatory section of the beauty license exam.

Toh’s work also mentions how some African women carry rice and seeds into their hair in a middle passage on their way to enslavement to survive. Her contemporary themes include sage and sunflower crowns, plants that represent aspects of herself and her ancestors. If you look closely, you can see that ladybugs and bees are floating like guardian spirits.

“Of course, having to hide your identity to avoid racial injustice has a huge psychological impact,” says Nai. “‘Natural heirs’ are a celebration and support for those who have decided to accept their own natural state.”

Fortune Sitole creates mixed media paintings of everyday life in South Africa’s Black Township, paying attention to the situations suffering there and those living in poverty around the world. Using the tin, stone, wood, and paint he found, whatever he found to build a house, he created a temporary hometown by optimizing outdoor space and leftovers such as metal, tires, and stone. I’m drawing a house.

The characters in his scene reflect a community that survives adversity and continues to build lives and relationships against the backdrop of South Africa’s brilliant dawn and dusk. They embody resilience and hope.

The Euphrat Museum at De Anza College is open to the public on Saturday, December 18th, from 11:00 am to 2:00 pm. Reservations can be made at Visit / euphrat for time and events, registration links, and COVID-19 guidelines for campus visits.

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