What do renowned designers, HGTV stars, and vintage architecture enthusiasts do when given the opportunity to rebuild a home with no clients, no TV crew, and an extraordinary amount of free time? Lian Ford jumped into this journey last spring when she decided to turn over her home in her beloved hometown of Pittsburgh. “This is an opportunity to do some beautiful things for the home for new buyers, not clients, myself,” Ford said Beautiful house At the start of Reno (here you can see how everything went down).The TV crew didn’t set foot in the accommodation, but fortunately for us and for you, Ford Beautiful house Together to shoot the whole thing. 8 months, thousands of paint swatches, and numbers, Well, After an unexpected hurdle (such as removing the entire second floor), she is ready to announce a compelling update to the classic Sears, Lowback & Company bungalows.
“In my opinion dream-like It’s a really great word to describe the whole atmosphere of the house, “says Ford. Of course, the designer says the house is “bright and bright,” in line with Ford’s distinctive, hierarchical approach to neutral. A little funky.
The house itself was Sears, Roebuck & Co from the early 1900s to the mid-1940s. Is one of the approximately 75,000 “kit” homes sold through the famous catalog. Homes are affordable, functional and designed to be easy for contractors to assemble.
“I’ve always wanted to do Sears kithouse, so I was very excited when I found it in my hometown,” says Ford. Beautiful house. The house she picked up had many of Ford’s beloved qualities, but its interior was a bit old, and some of its most special features (such as a pouch dotted with pillars) were covered by previous refurbishments. I was there. Ford used Williamson Construction to carry out her vision of returning to her previous glory before giving Ford’s treatment.
“When I go, I true Ford laughed. The three-month project she was thinking of quickly more than doubled, for good reason. Ford’s refurbishment included some significant structural changes.The previous owner created a sitting area with a screen (good in winter, but damaged the original bones of the house When The interior was much darker).
“It was a huge place to open it because it’s a very cozy place When You can take in so much light, “says the designer. Fortunately, the original Craftsman-style double columns remained under the drywall, so Ford took them home and refreshed with white paint, a shade of her characteristic movement.
The final touch on the new pouch was the result of Design Kismet. “I got a call from a neighbor and said,” I heard that you’re renovating a Brookside house. Grandma grew up there and has all the original rattan furniture, “Ford scooped. We created vintage pieces, all freshly decorated and returned to their original homes.
However, the pouch was not the only major structural change. When Ford first visited her house, she recalled, “I couldn’t even stand upstairs.” The ceiling was less than 5 feet.Deciding to raise them, the Ford and Williamson crew are essentially over Delete Build a new second floor of the house, at normal ceiling height, and finish it off with a new roof. “We must have spent two weeks finding a way to get the second floor to work,” says Ford. “We played a lot of layouts back and forth over and over. After all, there was literally no way to cut and lift the top.”
Downstairs, she removed the walls around the kitchen to create an open, flowing layout for easy gathering. “In old houses, the kitchen is always hidden,” she points out. “And how we live now, the kitchen is the center of the house. I’m always thinking in these old houses, How can I get them to join the party as well as bring them back to their former glory?“”
With the space open, Ford created a clean slate by painting all the interiors in perfect white shades. This took a long time to choose. “I’m sure I’ve seen all the white paint on the planet in this project,” she laughs. .. winner? Chris linen on the walls and an ultra-pure white veil dynasty on the trim and doors. She worked with Hickman Woods to find a suitable floor for a uniform base and settle on a bleached and sealed Rad Oak for a lighter, less rosy finish. “They’re pretty perfect,” Ford says of her tone.
Then it was time to decorate.
The starting point for this room was an experiment that Ford started in his kiln. It is a glass-enclosed terracotta tile as DIY. “The tiles were white, but when baked they returned to their terracotta colours, and the warm tones inspired the room,” she explains. Ford eventually removed the wall that separates the kitchen from the living room, so this pallet pushed the whole plan for one side of the house.
Ford was a butcher’s block countertop covered with plaster sealers, further leaning towards this warm white look. “I really wanted to have a casual softness like a craftsman.” She says. In addition to the bronze notes on the range and potluck, a lot of mixed metals in the form of copper pots and vintage serving wear conclude the attractive neutral pallet.
cabinet: Unique kitchen and bath. sink: Pearl farmer double bowl by native trail. range: Cafe appliance. dishwasher, microwave oven, When Refrigerator + freezer: Monogram by GE. Food cover: Surecrete.
Between the kitchen and living room, Ford doubled the texture, combining a vintage bench with a Crate & Barrel Aya table designed to weather over time for a worn patina. Topped with white vintage lights from Pittsburgh’s Construction Junction. “I love having a bit of that industrial look,” she explains. A window sheet that makes the most of a small space. “It’s not a big house, so you need to make every inch useful.” Ford says.
As another seating area, Ford combined two Crate & Barrel Ever sofas with a vintage table topped with marble. “There was no marble in the kitchen, but I wanted to get that texture somewhere,” she says.
floor: Hickman Woods. Windows: Pella. fireplace: Surecrete. Light: Original BTC.
Ford’s favorite white and terracotta palette art by Aliyah Sadaf adds just the right amount of texture. “What I really like about artisans is the simplicity of their design,” she says. “So, looking at my design, even if some kind of funk is happening, it’s really clean, simple, and not overkill.”
The layout of the house was created for a unique challenge in the master bedroom. Ford says, “I love to have a really comfortable space with only a bed in the room.” Two off-center windows threw a little wrench into her plan, as centering the bed draws attention to awkward placement. As a fix, Ford put up gorgeous linen curtains along the entire wall of the window. This is enough to disguise the exact placement and “doesn’t matter,” she says. She also gives the space an airy quality.
bed: Crate & Barrel’s Lian Ford. mattress: avocado.Windows: Pella.
“It was a great inspiration,” says Ford, for the stunningly large studio tubs. She brought in mixed metal as an accent, then covered the floor with Zia bone tiles and covered the walls with Surecrete’s thin concrete overlays to make the entire room drip-proof.
mirror: Garden style life. Bathtub: A vast studio.
“This is the first time I’ve used a lot of crate lines in my project and it was a lot of fun!” Says Ford. A canyon bed with a dramatic arched canopy is the centerpiece of the perfect sculpture in the room.
Here Ford was inspired by her own childhood bathroom. She blocked the toilet space for privacy, allowing someone to use the sink area while in use. The twin sinks are scored in Garden Style Living and have a unified look with two vintage mirrors painted in the same crisp white. They pop against square tiles from Zia.
The biggest color impact in the house comes from prints procured from PizeKC by Ford on a shopping trip to the Texas Roundtop Antique Trade Fair. The desk and lights are vintage.
“The basement is certainly a basement, but why not make it cute and convenient?” To hide the necessary machinery from the sitting area, Ford recovered the doors on the textured background (of the house). I used the original one and the antique one procured nearby).
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