Opinion | These Reboots of Cartoon Classics Are Exceptional, Delightful Art

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By now, you’re probably guessing that I’m the highest ranked Warner Bros. comics ever. But lately I wondered if they were in competition. These shorts have been made by Disney since 2013. In contrast to Disney’s old shorts, my girl and I call them “Fanny Mickey”. It’s a standard, not narratively attractive. “Mr. For example,” Duck Step Out “is a great image that is hung on the wall of your home and Donald Duck is adjusting his hat in preparation for a date. But the comics themselves from the 1940s just sit there. The most lively is Donald and Daisy Duck dancing. In the new Disney cartoons, the characters are laughing out loud and entertaining, just as the Looney Tunes characters have been around for a long time.

The artwork is also great. The updated Disney characters are drawn in a style that salutes the original characters of the late 1920s and early 1930s, and the background is a gorgeous painting reminiscent of Disney classics such as “Sleeping Beauty.” But now Disney characters have the opportunity to engage in the same vibrant wordplay as Looney Tunes characters with about the same wit. Chris Diamantopoulos, whose voice is particularly good at Mickey, transforms the classic falsetto of the mouse into colors and shades that convey the entire soul rather than the squeaky two-dimensional protagonist.

Fanny Mickey has a modern spirit, avoiding the old-fashioned stereotypes found in previous comics. When one of these new shorts is set up in another country, instead of nodding to a silly mistranslation joke like the old Looney Tunes (French fleeing Pepé Le Pew, yelling “Le Pew!”), The character is local. People Speaking Languages ​​— So far, French, Spanish, Italian, Portuguese, Dutch, Mandarin, Korean, Turkish, Hindi. In “Mumbai Madness,” the composer of the series, Christopher Willis, wrote Boliwood-style music.

Another great thing about these new shorts is that they enjoy the weight of the mountain of references in 20th century pop culture. From the Disney version of “Big Bad Wolf” to Ursula’s “Little Mermaid,” we’ll dig up the Disney heritage itself. In a nutshell, Mickey and Minnie are obsessed with the 1930s-inspired love song “As long as I’m with you,” not just doing it straight, but camping. The other has a quaint ambition of a vision of the future, such as The Jetsons.

Willis, whose work is wonderful, seems to like the soft rock teasing of 1970s and 1980s shows such as “Love Boat” when thematically appropriate (for example, the voyage scene of “Captain Donald”). try it) ). In the meantime, there’s a look that often seems to convey the strange and detailed close-ups of the Fleischer Studios cartoon that created Betty Boop and Popeye, and the familiar with-ban pacing in The Ren & Stimpy. A kind of different world combination now and before, how to make a good manga.

I was forced to rethink my own feelings about what’s on the “best of” list. I’m still a Looney Tunes loyalist, but the new Disney shorts often hit me as some of the best cartoons I’ve ever encountered. They overcame the pandemic blockade. Now it’s a great way to get rid of the strain on your mind and should be better known than it looks.

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