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Schmidt Hammer Lassen Architects’ Chris Hardie and Arcplus inaugurate the new Shanghai Library East as a vast, geometric, shape-shifting space of knowledge, inquiry and discovery.

Shanghai, China

“This important cultural center for the citizens of Shanghai embraces the idea of ​​’gathering to connect’—a space to bring people together. This is the city’s gift to them,” says Chris Hardie, design director and principal architect for Schmidt Hammer Lassen Architects.

Designed by Chris Hardie and his team at Schmidt Hammer Lassen Architects (SHL) together with local architects Arcplus, Shanghai Library East is one of the largest new libraries in the world.

The library’s primary function as a center of art, culture and technology-driven learning reflects the modern library’s rapidly changing raison d’être.

At the same time, its allusion to classical Chinese scholarship—the building’s shape conjures the scholar’s rock of the ancient literati—anchors it in tradition.

Taihu stones, or scholars’ rocks, served as muses for the Jin Dynasty intelligentsia—sources of creative inspiration and meditation.

They are prized for their abstract qualities, perforated surfaces, eroded cavities and unique textures.

In its architecture, interior design and programming, Shanghai Library East evokes a scholar’s rock in a Chinese garden: a multifaceted stone encased in an emerald canopy; A naturally occurring network of interconnected interior spaces; a source of knowledge, inquiry and discovery.

“This library was a unique opportunity to reinterpret a cherished Chinese symbol through architecture and design,” says project architect Jing Lin.

“In ancient times, scholars gathered around Taihu stones and drew inspiration from their edges, curves, canyons and tunnels, which seemed to shift when viewed from different vantage points.”

“Similarly, as visitors move through Shanghai Library East, their views of its interconnecting spaces change.”

The library’s exterior pays homage to printed literature through an even more subtle symbolism.

An abstract motif depicting 15 photographs of marble circles “printed” on the facade’s glass panels represents the library’s “cover”.

Arranged in horizontal bands of varying translucency, these etched panels allow light to penetrate deep into the building, illuminating the space—and, like a good book, enlightening the mind.

Although it houses multiple books, Shanghai Library East will also host more than 1,200 lectures, seminars, performances, events and hands-on activities for more than 4 million visitors annually.

This series of programs will be facilitated by 115,000 square meters of open, flexible and interconnected environments.

On the main level, a large central atrium welcomes guests into a large yet warm and inviting atmosphere of bamboo, oak and terrazzo.

Overhead, the floors stack and interlock—an architectural strategy to visually connect each of the library’s seven levels.

The lower floor serves as an agora, or central plaza, which hosts various events, exhibitions, a bookstore and a cafe.

“Libraries have long formed the backbone of many communities and become an integral part of our lives. That’s why we refer to them as the ‘third space’—a highly personal place that exists between our home and our work,” says Hardie.

From the outside, the library appears to “float” above two pavilions—one housing a 1,200-seat theater, exhibition and events; the other houses a children’s library with a central courtyard and outdoor play spaces.

On top of the pavilions are open-air reading rooms with roofs to protect visitors from rain.

Visitors enjoy panoramic views of the iconic Shanghai skyline and Century Park, the city’s largest green space.

“The smart and hybrid Shanghai Library East is a new generation library. It is not only a place for storing and lending books, or a reading room, but also an open space for culture and art,” says Chen Chao, director of the Shanghai Library.

“Exhibitions, lectures, music, art, the experience of technology, and even the access to the library itself are seen as a kind of ‘reading’.”

Local artists were an integral part of the design process.

Ten contemporary artists from China and abroad – including Xu Bing, Gu Wenda, Shen Fan, Zheng Chongbin, Emily Floyd, Ni Youyu, Mia Liu, Plummer & Smith, Simon Ma and Yang Zhenzhong – created site-specific permanent installations.

The public artwork program, compiled and realized by the international art consultancy and production company UAP (Urban Art Projects), is rooted in the theme “Mediums: The Development of Writing.”

The works are intended to inspire readers, encourage communication and celebrate knowledge.

“The public art vision for the Library, to create an unprecedented collection befitting an institution dedicated to education, study and the archiving of texts, was an essential guide in the realization process,” says UAP Principal Dane Currey , who oversaw the curation and delivery of the art program for Shanghai Library East.

“To be able to guide the artists and accompany the commissioner and their architects in this journey of conceptualization, experimentation and realization was an honor.”

Project: Shanghai Library East
Architects: Schmidt Hammer Lassen Architects
Design team: Lu Rong, Jing Lin, Simon Persson, Bartek Winnicki, Tasha Feng, Sicong Liu, Michelle Tang, Liang Dong, Xiaoshu He, Xing Meng, Qi Zhao, Zhao Wu, Lanqing Hu, Xuewei Liu, Fangzhou Zhu, Morten Schmidt , Lukasz Truchalski, Trushit Vyas, Steven YN Chen, Morten Nielsen, Sebastiano Cattiodoro, Steven Morten, Tade Godberse, Chao Chen, Beihong Mao, Xianjing Jia, Jiaqige Sheng and Si Chen
Architects of Record: Arcplus East China Architectural Design & Research Institute Co., Ltd.
Landscape Architects: Aspect Studios
Client: Shanghai Library

Photographers: Fangfang Tian, ​​RAWVISION Studio, and Chris Hardie

IAA23

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25 Apartment Balcony Ideas to Transform Your Outdoor Space

Even in the notoriously tight confines of apartment balconies, there are ways to turn your neglected outdoor space into a cozy haven for relaxing and entertaining. Here are 25 balcony ideas to help you up your balcony game with some easy upgrades and decor tips.

Balconies are to city dwellers what yards are to suburbanites and country dwellers. They are a bite-sized piece of outdoor living to decorate and call your own. And since they tend to have great views, these small spaces can be a huge asset in the midst of a busy urban landscape. And yet all too many homeowners use their balconies as glorified storage units or slap a few folding chairs on them and call it a day.

But it doesn’t have to be that way! With a little creativity (and Instagram inspiration), you can turn your apartment balcony into a reading nook, a meditation nook or even an extension of your office space. After all, what’s better than taking Zoom calls outside when you’re working from home on a sunny day?

Trust us when we say this: we’ve scoured the depths of the internet to bring you the most Instagrammable and stylish apartment balcony ideas out there. So whether you have a small Juliet balcony or a spacious roof deck, there’s sure to be an idea or two (or twenty) here that will inspire you. Enjoy it!

And for more apartment decorating ideas, check out these 25 Low Lift Apartment Decorating Ideas That Look Chic.

Add privacy with Vines

Fast-growing vines can protect your balcony from unwanted sunlight and nosy neighbors. Just look at this lush, intimate corner of @aletuladnie! For a dramatic effect, get hold of several backyard plants and let them roam your space. A trellis or wire can help support them as they grow, and you can even use them to drape fairy lights around your space for a magical touch.

Entertaining Al Fresco

If you’re lucky enough to have a rooftop balcony, make the most of it with a festive setup like this one from @parvinsharifi. The view is obviously the star of the show, but the string lights and garden furniture really elevate the space. And what about that sheer curtain blowing in the breeze? We are totally stealing this idea for our next outdoor gathering!

Plant an edible garden

Is there anything more satisfying than being able to step outside and pick your dinner ingredients straight from the source? We don’t think so. This neat idea from @mika_lavien_home shows us that even the smallest balconies can host an edible garden. All you need are some lightweight pots, some good quality soil and your favorite herbs or vegetables.

Light it up!

You should never underestimate the power of ambient lighting – just ask @girlandtheword! Hers has to be the most reposted balcony on Instagram, and for good reason. Twinkling lights falling from the ceiling give the space an ethereal, dreamy quality, while the clear glass railing ensures that the bright cityscape beyond is still very much in view.

Use vertical space

Even if your balcony doesn’t have a lot of square footage to work with, you can still dress it up to the nines by utilizing your vertical space. Hang plants and wind chimes from the ceiling or balcony railing, or prop a mirror or artwork on the wall. A disco ball? Why not! Just make sure you secure it properly so it doesn’t come crashing down on windy days!

Set up a home office

If you work from home, there is no reason why your office space should be limited to indoors. Make the most of your balcony by setting up a temporary workstation. Fresh air and natural light will do wonders for your productivity, not to mention the amazing views you’ll enjoy while you work! A folding table, a chair and a cup of coffee is all you need to get started.

Bring out the indoors

One of the best things about balconies is that they blur the line between indoor and outdoor living. So why not make yours feel like an extension of your living room by bringing some of your favorite indoor pieces outside? A vase of fresh flowers, some cozy textiles and some well-placed candles are all you need to create a style that will flow easily from inside to outside.

Take Cover With Canopy

Canopies aren’t just for bedrooms – they can work on balconies too! This dreamy example from @domatorka.blog proves that a few meters of fabric, some fairy lights and a floor cushion can turn a small outdoor space into a private oasis. For those who want to relax from the hectic city life without leaving home, this is the way to do it!

Go bold with color

Nothing says summer in the city like a balcony drenched in color. This cheerful space from @happyknoten packs a punch with its red-and-white color scheme and bold, geometric patterned rug. We love how the colors reference the surrounding architecture – a pro tip if you ever feel stuck on how to style your outdoor space!

Say Yes to Bamboo Screens

If privacy is a concern for you, consider adding bamboo screens around the perimeter of your space. @strefa.agnieszkachlebda used them to create a secluded nook where she could curl up with a book and be thoughtful without distraction. Notice how the horizontal striped rug also visually expands the space! Something to keep in mind if your balcony is narrow and long.

Choose a statement plant

Choose one super-sized plant (maybe even a tree) and use it as the visual centerpiece of your balcony design. It may sound counterintuitive, but a single large plant can actually make your small balcony feel larger, draw the eye and create the illusion of more square footage. Tall plants also help create a sense of privacy. Sounds like a win-win to us!

Swing in a hammock

Small balcony ideas don’t get much better (or more summery) than this! If your ceiling can handle the weight, set up a hammock and enjoy some well-deserved R&R. Unlike a lounge chair or a pallet bed, it takes up none of that precious floor space and looks effortlessly chic. If you don’t have room for a full-sized hammock, try hanging a macrame swing instead!

Opt for folding furniture

Choose furniture that can be stored away when not in use. That way, you can have your cake and eat it too—a place to sit when you want it and more room to move when you don’t. Think folding chairs, stools and tables that can be hidden away when you don’t need them. Add some seat cushions or a tablecloth to make them feel more like permanent fixtures.

Lower your lighting

With balcony ideas, the lighting is everything. It can completely change the atmosphere of your space and make it feel cozier, brighter or more romantic. If you’re not sure where to start, try adding different levels of lighting to create a layered look. Lanterns, rope lights and floor lamps help create pockets of light that make your balcony feel warm and inviting.

Get your DIY on

Outdoor furniture can be expensive, so if you’re looking for balcony ideas on a budget, try your hand at some DIY projects! This could mean refurbishing some old furniture you have lying around or building something from scratch using recycled materials. Pallet beds, repurposed wooden crates and refurbished coffee tables are all great options that won’t break the bank.

Introducing Curtains

Consider hanging a set of light and airy curtains for a private balcony that doubles as an outdoor lounge. They will provide protection from wandering eyes (and the sun, if hung at the right angle) and instantly make the space feel cozier. If you want to take things a step further, throw on some globe lights for extra ambiance.

Put up a planter wall

Speaking of balcony privacy ideas, try adding a vertical garden wall to create an intimate space protected from the outside world. Not only will it make a dramatic backdrop for your lounge area, but it’ll also give you the chance to show off your green thumb! Plant it with small, robust plants such as succulents, herbs or ferns that can tolerate being in direct sunlight.

Decorate seasonally

Front porches and fireplace mantels aren’t the only places you can get creative with your seasonal decor. Your balcony is the perfect place to show your holiday spirit! Decorate it with spooky Halloween decorations, or turn it into a winter wonderland with festive lights and greenery. Changing things out a few times a year is a great way to keep your space feeling fresh and new.

Invest in a plant ladder

Balconies are made for vertical gardening, and a plant ladder can help you make the most of your limited space while letting your green thumb shine. Use it to display potted plants, herbs or even miniature vegetables. Stacking your outdoor plants in tiers adds some dimension to your balcony. Plus, it’s the perfect way to show off your collection of pretty planters!

Sit in an egg chair

Is there anything dreamier than lounging in an egg chair? If you’re looking for some cozy balcony ideas, this is definitely one to consider. It’s the perfect place to curl up with a good book or enjoy your morning coffee while taking in some fresh air. Decorate it with some comfy throw pillows and a blanket, and you’ll never want to leave!

Hang a decorative mirror

If your outdoor area is feeling a little bland, adding a statement mirror is a great way to turn things around. @my_hygge_my_home chose a round bamboo-rimmed mirror and hung it on an accent wall to create a distinct focal point. It adds so much to the boho vibe of the place and has the bonus of making it feel more open and airy.

Bring out an umbrella

It turns out that the perfect outdoor dining setup is this: some shabby chic chairs (and a coffee table to match), a pop of greenery and a striped umbrella to keep the sun out. It’s one of those balcony ideas that looks straight out of a catalog, but it’s actually pretty easy to recreate with some second-hand furniture, some flower boxes and a vintage beach umbrella.

Dress up your walls

Dream catchers and macrame hangings are not the only things that can liven up your balcony walls. Adding wall art is a simple way to make a big impact in your small space. And since your balcony will likely be exposed to the elements, opt for something that can take a beating and still look great—like Displate metal posters! As sturdy as they are stylish, they are perfect for outdoor spaces.

Lay an outdoor rug

If your concrete balcony feels more like a dungeon than an oasis, try trimming it with an outdoor rug. Not only will this make the space feel more inviting, but it will also help define your seating area and give your feet something soft to land on when you sit on the floor. To take things up a notch, try layering several rugs on top of each other for that bohemian look.

Jazz up Your Flooring

Instead of hiding it under a carpet, why not make your balcony floor part of the design? For an easy (and relatively inexpensive) update, try adding interlocking deck tiles. These clip tiles can be laid on top of just about any surface, giving your outdoor space an instant makeover. Plus, they’re easy to take with you when you’re on the move. Apartment tenants, take note!

Over to you!

An apartment balcony is an often overlooked space, but with a little creativity (and some elbow grease) it can be transformed into a stylish and functional oasis. These balcony ideas should give you plenty of inspiration to work on your own outdoor space. So what are you waiting for? Get started on your own Pinterest-worthy balcony today!

Are there any apartment balcony ideas we missed? Let us know in the comments below.

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Guest Room Office Ideas For An Efficient Work Space

If you have a spare room in your home, you may be wondering what to do with it. Why not turn it into a guest room office? This way, you can have a place to work from home as well as a place for guests to stay when they come to visit. When it comes to guest room office ideas, there are a few important things to keep in mind to make the most of this space.

Let’s dive into our thoughts on how you can create a great guest room office. But first, if you’re looking for more home decor inspiration, be sure to explore some of our other articles.

Now without further ado, let’s dive in.

Some things to note

First, it’s important to have a designated area for work so you can stay focused and organized. Second, comfortable seating is a must to offer your guests a relaxing experience.

Finally, incorporating stylish decor will help make this space feel like an extension of your home.

Guest bedroom office

With these guidelines in mind, let’s take a look at some guest room office ideas that are sure to please.

A multipurpose bedroom home office

Be sure to measure the space in your guest room office before purchasing a bed. You will want to make sure that the bed fits comfortably in the space without taking up too much space.

If you’re short on space, a day bed, futon, and sofa bed are all good choices that can easily turn into a makeshift office during the day.

When choosing a bed, comfort should be one of your top priorities. Make sure the bed is comfortable enough for your guest to sleep on, and that it provides adequate support.

As shown in the example below, mounting wall shelves and adding posters/wall art that complement the space is a great way to maximize space while keeping the room’s decor unique and fun.

Bed/futon

Create a proper workstation through a desk

A desk in the guest room can be a great way to create an office space without taking up a lot of extra room. It can also be a great way to have a place for guests to use their laptops or work on projects while they are visiting.

Here are some tips for choosing the perfect desk for your guest room office:

Choose a size that fits the space you have available. You don’t want the desk to be too big or too small for the space.

Consider the height of the desk. You want it to be comfortable for guests to use, so make sure it’s at a good working height.

The image below is an example of a workspace containing a table and chair with the suggested features

Guest office room desk

Use a Murphy bed to manage floor space

A Murphy bed desk is a perfect way to combine two essential pieces of furniture into one space-saving unit.

This is a type of bed that can be folded into a wall or closet when not in use, freeing up valuable floor space.

It is the perfect solution for small office and guest room. When folded, the murphy bed takes up very little space, leaving plenty of room for a desk.

When guests arrive, simply fold down the bed and voila! Immediate guest bedroom.

Murphy bed

Pay attention to the seats

Whether it’s a comfy chair for reading or a couch for naps, make sure your guest bedroom office combo has plenty of seating.

This will ensure that your guest is comfortable in the room whether they are working or relaxing.

Seating in the guest office room

Show your inner interior designer through the decor

It is essential to pay attention to the decor of your office guest room to make the room impressive for the guests.

When it comes to decorating your guest bedroom, there are many different ways you can go about it. Consider incorporating custom decor pieces like Displates into your guest room office.

The most important thing is to make sure that the room is comfortable and inviting for your guests.

Decor inspiration

Your home office guest room furniture doesn’t have to be boring either. Get creative and choose pieces that are both stylish and functional. Look for interesting shapes, patterns and materials to really make your space pop.

Arrange the perfect lighting to illuminate your room

Lighting is an important aspect of any room, but it is especially important in a guest room office.

There are a few things to keep in mind when choosing lighting. First consider the purpose of the space. If this is primarily a workspace, task lighting should be the priority. If the space is also to be used for entertaining, ambient lighting should also be considered.

Second, think about the mood you want to create in the space. A guest room office can be a cozy retreat or a bright and airy space, depending on the lighting.

Guest office room lighting

A peaceful atmosphere for your guest and yourself

One of the most important things to keep in mind is the fact that your overnight guests should feel comfortable and relaxed while staying in your home.

In addition, your home office should be a place where you can also feel calm and relaxed. Your office is the perfect place to achieve this goal.

Relaxation technique

The perfect color scheme

Consider the color scheme of your room. Choose soothing colors that will promote a sense of relaxation. Blue and green are good choices for this purpose. You can also use white to create a clean and fresh look.

Here is a neutral color scheme palette to consider when choosing the right color for your home and guest office.

Need your room window and curtains

When planning the design for a guest room office, it is important to consider how the space will be used.

If the room will be used primarily for work, you’ll want to make sure there’s plenty of light and that the furniture is arranged in a way that promotes productivity.

The window treatments can play a big role in creating the right atmosphere

Window inspiration

If you want the room to feel bright and airy, then choose light colored curtains or shades.

Sheer fabrics can let in lots of natural light, while still providing privacy.

If you prefer a more traditional look, then opt for heavier curtains that can be drawn when needed.

Curtains picture

Create a combination of home and office

Add Personal Touches – Make your guest bedroom home office feel like home by adding personal touches.

Photos, art and plants are all great ways to make the space feel more inviting.

Check out an example of this home office-guest room combo below

Home office combination

Closure

There you have it, functional guest room office ideas that we recommend you adopt. Remember to add a touch of your own personality and create a space that suits your needs. Start by determining what you need the space for, and craft it according to that vision.

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From student to director of space planning, interior design

Julie Helton is helping to create better environments for Baylor students. Photo courtesy of Julie Helton.

By Sarah Wang | Staff Writer

Originally from South Korea, Julie Helton graduated from Baylor in 1991 with an interior design degree. In 2015, she returned to Baylor’s campus, where she now serves as director of space planning and interior design.

Helton worked for various architectural firms for nearly 25 years before returning to Baylor. With a background in commercial design and expertise in churches, banks, schools and corporate space planning, she contributed to the new sanctuary for Antioch Community Church and the Chamber of Commerce building in downtown Waco, which was designed for sustainability and LEED won gold.

While working at RBDR, an award-winning architecture and planning firm in Waco, she participated in several projects on Baylor’s campus, including furniture selection for Teal Residential College, Earle Hall, Marrs McLean Science Building and Memorial Dining Hall.

“Baylor is a great place to work and allows me to do what I love,” Helton said. “At the architectural firm I was much more involved in the detailed drawings and specifications of materials, and at Baylor I spend most of my time coordinating projects and helping with facility improvements.”

Helton showed special emotion toward two projects she worked on at Baylor: a renovation of the Waco Hall lobby — because it was “so dark and outdated” — and Tidwell Bible Building.

“The Tidwell renovation was a great project that I’m proud of, and I love how it transformed Miller’s Chapel into a beautiful two-story office space,” Helton said. “I was married in that chapel, like so many others, but it had never been updated and was very underused for many years.”

Currently, Helton is working on more than 50 renovations while providing input for Baylor’s major projects, including the Foster Basketball Pavilion, Ruth Collins Hall, the Fudge Football Development Center and the Hurd Welcome Center.

“[The Hurd Welcome Center] is going to be an amazing building that will lead the way in how universities bring admissions, visitors and alumni together like never before,” said Helton. “The high ceiling and light towers in the Grand Hall will create an incredible space that every high school student and parent will want to come and see.”

The routine Helton goes through for a project starts with a request and is followed by a meeting with the client to determine a scope of work. Helton said they coordinate projects with architectural or engineering firms that provide bidable drawings, and they then work with project managers or contractors who estimate construction costs.

Loaded with many tasks, Helton said the biggest challenge she faced was running out of time.

“There’s never enough time in the day to stay ahead of all the emails, questions and issues that come up with managing so many projects,” Helton said. “But it’s exciting and fun at the same time.”

Helton said interior design holds many meanings for her. She said it’s more than just decoration; it is to create a space or atmosphere where people feel comfortable or joyful in their surroundings, and this is more often achieved with subtleties through scale, placement and color.

Helton said good design should not only be seen, but also felt.

Patrick Carley, associate vice president of facilities and operations, said Helton is a “dedicated professional and impactful leader on the facilities management team.”

“Julie gives her all every day to ensure that Baylor students, faculty, staff and other stakeholders have the best possible facilities experience,” said Carley. “Baylor is a better place because of Julie Helton, and we are all very fortunate to have her on our team.”

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New museum space celebrates New Orleans artist John T. Scott

NEW ORLEANS (AP) — The late John T. Scott was arguably the most influential New Orleans artist of the 20th century. His monumental abstract sculptures can still be found throughout the cityscape, and the generations of artists he taught in his 42 years as a professor at Xavier University carry his legacy forward.

Scott’s role as a star of the local art scene was already well established by 1992, when he was anointed with a “genius award” from the John D. and Catherine T. MacArthur Foundation, expanding his reputation nationally.

Now a new museum and meeting center in the central business district offers a place to interact with Scott’s art, for those already well aware of his cultural contribution and those discovering him for the first time.

The Helis Foundation John Scott Center is located at 938 Lafayette Street in an 1867 brick structure known as Turners’ Hall, which was built by German immigrants as a gymnasium, dance venue and theater. It later became a trade school of sorts operated by Tulane University, and later continued to be home to a commercial printing press that produced The Jewish Ledger newspaper.

Since 2000, Turners’ Hall has been the headquarters of the Louisiana Endowment for the Humanities, which provides grants and educational activities devoted to Bayou State art, culture and history. The non-profit organization also publishes the magazine 64 Parishes.

The Scott Center occupies the newly renovated ground floor of 6,000 square feet. The Helis Foundation, which underwrites public art projects in New Orleans, was a major contributor to the $2.6 million capital campaign that funded the new institution. Many of the 51 works of art on display are owned by the Louisiana Endowment of the Humanities, and others are on loan from the Scott Family Trust, Arthur Roger Gallery and others.

Scott was born in 1940, grew up in Gentilly and the Lower 9th Ward, attended Booker T. Washington High School, then Xavier University and Michigan State University.

He credited two Xavier instructors, Numa Roussève and Sister Mary Lurana Neely, as his most important art mentors. He also received instruction from two other star artists, the abstract expressionist painter Charles Pollock – brother of the legendary Jackson Pollock – and the famous kinetic sculptor George Rickey. Some of Scott’s fiery painting style and his love of wind-activated, mechanical sculpture can probably be traced to them.

But Scott’s most important influences were Africa. His modernist sculptures were inspired by fabric patterns, group dances, and music that came with enslaved people to the American South. In particular, he used the form of the diddley bow, a single-stringed musical instrument based on a hunting weapon.

“The magic of the bow was the duality,” says artist and professor Ron Bechet, who was Scott’s colleague at Xavier University. “As John would explain it, it was the fact that the bow was used to kill the prey. But then the hunter turned it around and played a libation of music to thank the animal for giving its life so it could survive.”

Scott was also inspired by the African-American experience, including jazz and the civil rights movement, plus New Orleans customs like second-line parades.

Always experimenting, Scott produced sculptures from numerous materials, including cast bronze, welded steel and blown glass. His haunting “Urban Crucifix,” made from composite remains of pistols and rifles, is part of the Scott Center collection.

Outside of the collection, several of Scott’s sculptures can be found in prominent locations around the city:

His swaying, sparkling, “Ocean Song” overlooks the Mississippi River in Woldenberg Park.

“Spirit House,” made in collaboration with artist Martin Payton, is a mint-colored abstraction perforated with human figures. It stands near the intersection of Gentilly Boulevard and DeSaix Boulevard.

The silver-colored “Spirit Gates” are a permanent exterior feature of the New Orleans Museum of Art, where Scott was celebrated with a retrospective exhibition in 2005.

In addition to his three-dimensional works, Scott also made woodcut prints; some were too large for a printing press, so he ran an asphalt roller over them to transfer the ink to paper. Several of his prints, including large portraits of Louis Armstrong, and the carved woodblocks Scott used to produce them, are on display in the Scott Center.

Scott was always a very hands-on artist. In time, however, the smoke, the sparks and the paint fumes that were an inseparable part of his art-making began to take their toll on his health. After evacuating to Houston in the wake of Hurricane Katrina in 2005, Scott was hospitalized with pulmonary fibrosis.

Asked if he intended to return to New Orleans despite flood damage to both his home and studio, Scott expressed his devotion to his hometown one last time.

“This is the only house I know,” he said. “I want my bones to be buried there. I belong there. I need New Orleans more than New Orleans needs me.”

Despite two lung transplant attempts in Houston, Scott died in 2007. His ashes were returned to New Orleans, a friend said.

The director of the new John Scott Center, Asante Salaam, is a visual artist, and a former student of Scott’s. She previously worked for the New Orleans Mayor’s Office of Cultural Economy, the New Orleans Jazz & Heritage Foundation, the Louisiana State Museum and other institutions.

While leading a preview tour of the new space last week, Salaam commented on her former teacher’s lingering aura.

“Everyone who knew him or knew about him is burning inside,” she said.

Some of Scott’s work is critical of the racist society he endured. His aluminum construction titled “I Remember Birmingham” is a fiery jumble of dark silhouettes inspired by the bombing of the 16th Street Baptist Church by white supremacists in that Alabama city in 1963.

“As a Black man, a New Orleans native, from the 9th Ward, he went through phases of history and conflict,” Salaam said.

But the social criticism contained in his work is often complex and subtle. And the look is always triumphant.

“I call him a worthy disruptor,” Salaam said.

Salaam said she hoped the new John Scott Centre, with its meeting room, reading room and art exhibition, would be a welcoming hub for arts and cultural activities and a catalyst for social change.

“He was an example,” Salaam said, “a practitioner, a dedicated educator, dedicated to passing it all on.”

The Helis Foundation John Scott Center is open Thursdays, Fridays and Saturdays from noon to 6 p.m. Regular admission costs $7; children under 12 are admitted free.

A free grand opening celebration, featuring live music, sno balls and art activities, is scheduled September 10 from 10 a.m. to 3 p.m.

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The role of DAOs in the NFT space

Couldn’t attend Transform 2022? Watch all the summit sessions in our on-demand library now! Look here.


NFTs have come a long way since the first coin in 2014 of ‘Quantum’ on the blockchain. The market has seen prolific growth, offering investors the ideal intersection between cryptocurrencies, traditional assets and digital ownership. As of May 2022, more than a million crypto users have bought or sold NFTs, and the global NFT market is expected to grow from USD 3 billion in 2022 to USD 13.6 billion by 2027.

Non-fungible tokens are unique digital assets held on the blockchain, giving holders of physical assets the opportunity to extend ownership into the digital realm for the first time. Such ownership can include a range of ‘real’ collectibles from art to fashion, sports and even physical objects. Since the introduction of the ERC721 token standard in 2018 and the breakthrough sale of “Everydays: The First 5000 Days” by Beeple in 2021, which marked the entry of NFTs into mainstream culture, NFTs have empowered communities of developers to invest, create and self-preservation of their own creative financial assets. NFTs are also seen to represent the next level of digital rights management. Increased hype surrounding digital ownership of these assets has also drawn art collectors, who are capitalizing on the gap between traditional and digital art as they largely begin to appeal to broad audiences from gamers to celebrities to crypto-enthusiasts.

NFTs are the new brands and IP franchises

It is important to understand that NFTs are not simply collectible images. The largest NFT collections, such as Bored Ape Yacht Club, Azuki, RTFKT and Loaded Lions, have emerged as mainstream brands and intellectual property franchises whose ownership is shared between their creators and the owners of each NFT unit. Each of them conveys a specific worldview, brand narrative and visual imagery. Just like Marvel characters or Transformer toys, they appear on branded merchandise, appear in physical and virtual events, and are expected to spawn video game franchises.

Shared ownership means these brands have the potential to generate much deeper engagement with fan communities than traditional brands, which explains why mainstream brands such as Nike, Hublot and DC have created or invested in NFT initiatives.

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From the point of view of the NFT unit holders, shared ownership means that having an NFT in one’s crypto wallet not only gives access to exclusive experiences (also called token-gated experiences). This creates an expectation that the holder will have a voice in the direction and management of the brand and will participate in the long-term value creation of the franchise.

How does this management work? Enter DAOs (Decentralized Autonomous Organizations).

DAOs and NFTs

DAOs replace formal corporate hierarchies with community-owned structures without centralized leadership. Although still in their infancy, they are gaining popularity and ultimately support the vision of Web3 whereby the value of a network is distributed back to its users.

DAOs are digitally native, community-led organizations powered by blockchain technology, where members vote on the direction and vision of their entity. For both the crypto-curious and natives alike, a DAOs utility comes with its ability to drive Web3’s goal of democratizing the creator economy with more direct and transparent links between communities and specific projects. Enabled by technology, DAOs are replacing legacy institutions with more agile and configurable governance models than the one-size-fits-all rights given to the shareholder of a massive corporation.

Furthermore, control and ownership is considered more democratic, similar to a cooperative organization. Each owner within a DAO is given voting rights through a ‘management’ token that has an underlying code that is 100% transparent, meaning that no one controls the community and decisions are therefore faster and more efficient. NFT creators and community members can collectively decide the future of an NFT project and shape the direction of the company by casting their vote in a secure way that is visible to the other owners.

The DAO-NFT Community

DAOs have the potential to help emerging NFT creators foster a sense of community and bring together a group of investors to participate in gated community events, raise funds and provide access/vote for smaller projects. Users can meet, discuss and agree on a collective mission for the DAO across various social networking sites, and they can then contribute funds using Ethereum contract development.

Often there are benefits for early adoption when deciding to participate in a project, where investors can obtain rights to the discount on products and lower fees. In an increasingly borderless world, DAOs can also have the benefit of bringing global communities together to collaborate and coordinate on a shared vision. With an internet connection and driving credentials, virtually anyone can participate in building the future of Web3 within a DAO. Participating in a DAO also gives individuals a sense of ownership similar to a startup co-founder, as they can manage the investments of the project’s treasury, controlled by a multi-signature crypto wallet, further driving innovation and even financial rewards.

What’s next for NFTs and DAOs

In terms of NFTs and DAOs, they pose the philosophical question of what is the next frontier in the peer-to-peer economy and how can the providers of Web3 make it more accessible to the next generation? For DAOs, we will continue to see unique use cases: across music, art, purchasing high value assets and more.

Case studies for collaboration between DAOs and NFTs are emerging, and we are beginning to see how DAOs, which use a cooperative model of organizational structure, offer new avenues of participation for those people who participate in the creator economy in their own small way. manner. Critically, with NFTs giving people ownership and real benefits, and DAOs offering new ramps, the pace of asset and community will continue to drive innovation

As both traditional and crypto markets face challenging times, individuals are increasingly looking at ways to write their future financial history through the empowerment and tools of Web3.

Ken Timsit is Managing Director of Cronos Chain and Cronos Labs, the first EVM compatible Layer 1 blockchain network built on the Cosmos SDK.

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Tiny bedroom ideas: 10 inventive ways to be clever with space

Tiny bedroom ideas don’t have to stand in the way of ambition or style. Although small rooms can present many interior design challenges, compact living has several benefits. A well-designed scheme can make you feel as comfortable as a larger space and provide all the comfort and comfort you could possibly need.

Our handpicked selection of the best small bedroom ideas that can even turn a small bedroom into a warm, cozy and inviting retreat.

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Ein Harod Measuring the Space Between Past and Present Art – Israeli Culture

Liav Mizrahi wanted to offer a gift to the public. His quest for the lost mother of Israeli art led him to discover 110 names. He took many walks in the cemetery. “I find that their profession is often engraved on the stone beneath their name,” he told the audience in an open discussion with curator Elad Yaron in early July.title Charity saves from deathMizrahi’s soft tombstones and memorial candles are displayed alongside original works by artists who are no longer forgotten, as Sigh Canon. A new group of Shira Gepstein, Eyal Assulin, Nitzan Satt and IS Kalter is on show at Ein Harod.

“I started buying their pieces with my own money,” Mizrahi said, “and they haven’t been on show in the last 60 years.” Often, family relatives who get the pieces are paid “for a new pair of shoes.” price” to sell them, and even happy to find a buyer, their other option is to throw the piece in the bin.

Mizrahi discovered that painter Annie Neumann and sculptor Batia Lishansky were successful LGBT artists who lived together before the state of Israel and were buried side by side. He also introduced the work of Palestinian painters Sophie Halaby and Zulfa Al-Saidi to Hebrew speakers. The first painting Jerusalem Landscape and the second portrait of an Arab leader exhibited at the National Arab Exposition (1933). Halaby and Al-Saidi were included in the names he embroidered on the wall, coining the word Zocrot [we (fem.) remember].

“Every artist is afraid to end up on this wall,” Mizrahi said, “which means no one remembers me. All artists live in fear,” he added, “We want to know: ‘I What happens to my work after I leave?'”

“Heart” by Shira Gepstein (Homage to Reuven Rubin). (Credit: EIN HAROD)

Canon

The Greek sculptor Polycletos believed that his art could measure the ideal distance between body parts to capture the fleeting beauty in bronze. He even wrote a book about it. Lost to us, it was named the Canon of Polykleitos. A word that means measuring ruler or standard. Marble replica of Polykleitos crucian carp (spear bearer) Disco Frost (on disc) and Diadumenos (crown bearer) still there. They reveal how the ancient Greeks understood beauty.

Over time, the word canon has acquired more layers. Most people think of it as an amalgam of long accepted truths that become normative laws, or so-called universe-building facts.

“One of the art historians we met firmly believed that Israeli art began in 1906,” curator Elad Yaron shared the work he and the artists went through in the year Bezalel was founded. Yaron points out that another date is also significant, for example, Alliance Israélite Universelle opened schools on Israeli soil from 1870. These schools also offer some level of arts education.

“MOTI” by Eyal Assulin. (Credit: EIN HAROD)

“An art historian we met was convinced that Israeli art began in 1906.”

Curator Elad Yaron

“It’s the canon that determines what history contains,” Yaron said. “In that sense, it is determined by winners, influenced by Zionist donors, and influenced by politics.”

“It’s amazing to realize that the final pieces that the artists create all come from a wounded place,” adds Aaron. “After all, there are many ways to look at the canon. For example, one might wish to join it, or show that it is important to install it in someone else’s mind. In our case, trauma became the most meaningful thing.”

“As a discipline,” Aaron said, “much of art history is about the way Christian churches were built. It’s a strange thing. I have a disproportionate view of what Western civilization has on the world, including the Jews. There is no objection to the claim of influence. My question is two tacit statements that are rarely said publicly. This state of affairs will go on forever and there will be no non-Western influences worth discussing until the West comes along.”

In his large-scale paintings, Eyal Assulin refers to ancient Egypt with golden man-made hieroglyphs.in a program called protector.

This is an excellent job because a column is broken, it cannot perform its function, it cannot carry the weight of the structure. This can be interpreted as a sign of grief, like the broken pillar depicted on Jewish tombstones, for a possible allegation of the discrimination suffered by Mizrahi Jews when they arrived here.

Both a reference to activists, “Black Panther” was inspired by the 1972 Black Panther movement in the United States, which stole milk from wealthy Jerusalem neighborhoods and gave it to the poor, and 2018 about the fictional African tile The superhero movie of Kanda Kingdom.

Constant’s work is now all but forgotten after the Ramat Gan Gallery named after him closed in 2017, a powerful nod to the original goal of the Ein Harod collection – to save Jewish art from oblivion.

“I want to be a classic,” says Gopstein, “but I want the included parts to really be me, not a mask.”

Her lush paintings subvert traditional artistic conventions, and the Good Shepherd with the Lamb is a woman rather than a man. “I was the first to portray the Lamb’s burden as a woman’s burden,” she told the audience.

“It’s a tough, indifferent world,” she quickly told the audience, “and so do my paintings. I don’t provide a field of paint for the eyes to rest. I want the gaze to always work, to move from detail to detail.”

Her work is full of direct references to art history. “The landscape here rises from Benni Efrat,” she offered, “he was excommunicated. [Israeli] Art scene doing ecological work. She painted the donkey in memory of Asad Azi. In Gopstein’s large painting, it is a woman who paints a naked man. A dog she often stands on canvas, a pair of silent white souvenirs.

“After I had my baby 14 years ago, I looked for successful female artists and found only one — Marina Abramović — and she didn’t have children,” says Gopstein.

“I also read Abramović’s words that making art is a whole, motherhood is a whole, and the two wholes don’t work together.”

“I and other female artists of my generation are fighting against time to prove that something like this is indeed possible,” she added.

In a triptych depicting a feast of “All the Women Artists I Love” on view at Zuzu Gallery on Friday (July 15), Gopstein painted Abramović beside her, referring to the The famous supper with Jesus standing next to the disciples. Gopstein explained with a laugh, “because of this idea she said,” before she deleted her.

She also has some sponge sculptures, which affectionately refer to Kosso Eloul and Chava Mehutan, which are included in the Ein Harod exhibition.

Polykleitos believed that the sublime could be found in the perfect relationship between the limbs of a body. If Israeli culture did exist, it would be even more impoverished by diminished interest in preserving the canon. Not to mention discussing its pros and cons.

In 1986, 11 working art critics provided public art criticism via print, radio waves and even television. The current exhibition is a powerful attempt at a highly erudite exploration of this load question – do we think it’s legitimate to keep the standard? Worth a look.

Sigh Canon (curated by Dr. Elad Yaron) On display at Ein Harod until 22 October 2022.it’s a “Bat Cole: Looking at Israeli Art” which includes the 2010 movie ‘assembly’ David Wackerstein. The film contains interviews with 53 artists. “Bertha Urdan’s Choice”, This is another worthy exhibition in honor of the London-born Jerusalem gallerist’s outstanding contribution to Israeli art Butter Cole include.

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The NFT Space is shaking! MetaRuffy launched their second

New York, July 9, 2022 (GLOBE NEWSWIRE)-MetaRuffy International FZCO (Dubai-based company) already operates Ruffy World, an entertainment-focused metaverse world, with its second product release. We are proud to announce LooBr.com.

LooBr uses MetaRuffy as a whole, is an all-in-one cross-chain social NFT marketplace, and a meeting place for creators, traders and social media users. CEOs Cihan Sasmaz and MetaRuffy’s creative and core team devised, designed and created the platform with the end user in mind.

“The Loobr Marketplace is great, easy to use, and the first built-in social media platform of its kind !! The MetaRuffy creative team was very professional. I highly recommend it to anyone new to NFT creation! !! “” FarmPro, LooBr users-June 2022

LooBr is sophisticated and easy to use, and websites are fast and responsive. It also offers the lowest transaction fees (1%) of all other major platforms across Digital Art Space. The site features ad-free, integrated KYC / verified badges, real-time notifications, creator loyalty, fixed prices, auction and mystery NFT capabilities, and end-to-end encryption.

“”LooBr is a great platform for creating and selling my NFT collection, allowing you to communicate with potential buyers all in one place. For the first time, it was easy to upload all my information. With verification and KYC options, I am confident that we will work with quality people. “ BuildingStones, LooBr users-2022

Technology is state-of-the-art and integrated social media features are the first of its kind.

LooBr welcomes and uses all kinds of digital art from virtual lands, music, domains, RuffyWorld in-game assets and, of course, NFTs.

Creators, traders and players can join LooBr. Creators have a place to display and sell art in the form of NFTs. In addition, traders can purchase validated digital art from validated authors. Finally, social media patrons can use “end-to-end” encrypted communication to chat, like, comment, friends, family, and interact with selected people.

“This is a platform from creator to creator, trader to trader, player to player. We love to create. We love to trade. We love to play.”

Cihan Sasmaz, CEO of MetaRuffy.

LooBr gives users complete control over their data and is built with the latest security techniques. Users can create a simple account with just an email and password to browse the site, experience the entire package and add a cryptocurrency wallet to their profile, and use KYC in a secure and secure environment. You can buy, buy and sell digital art. Other users.

“We have built a marketplace for everyday use.” Cihan Sasmaz, CEO of MetaRuffy.

“”LooBr is highly recommended for anyone considering buying or selling NFTs. Many of its features are not offered anywhere else, including a scoring system that is transferred with the sale! This site is easy to navigate and feels like it was developed by a real user in all respects. ” CryptoDiva, LooBr users-June 2022

LooBr also sets a new standard for NFT e-commerce with a unique feature called the LooBr score.

The LooBr score is a LooBr score that captures all the metadata collected from the owner to the owner (transactions and owner history, social media posts, comments, likes, etc.) from LooBr’s original, creation, and list. Forward to all relists of all NFTs on the platform.

“Not only do we buy NFTs, we also buy the entire history.” Cihan Sasmaz, CEO of MetaRuffy.

The marketplace runs on the primary utility token $ LooBr (which can be purchased directly on the marketplace). Prices for digital art such as NFTs are displayed in $ LooBr when listing, buying and selling. $ LooBr is also a platform governance token, allowing owners to add their opinions to future development. In addition, owners of $ LooBr tokens will be rewarded for holding $ LooBr and will receive $ MR (MetaRuffy’s native token).

“Let’s grow into the largest marketplace in the world. We look forward to seeing you at LooBr.com and looking forward to providing the best experience for everyone.” Cihan Sasmaz, CEO of MetaRuffy.

The marketplace is currently available and will be available soon on Android and iOS.

Pre-sale: https://bit.ly/3bTAECq (July 15, 2022-20UTC)

Social handle:

twitter: https://twitter.com/loobr_com

telegram: https://t.me/loobr_com

Instagram: https://www.instagram.com/loobr_com

discord: https://discord.gg/metaruffy

Website: https://loobr.com/


        

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Creating Space: Diane Christiansen Slows Time With Her Work

Diane Christiansen, “The Last Day of Capitalism”, 2020, Gouache, Ink, Acrylic, Plaster, Paper, 55×50 inches

“It feels like we’re all on the last day of something, right?”

I’m Diane Christiansen, an artist.

While meeting to discuss her work at the Chicago Cultural Center exhibition “Women’s Shaped Instruments,” the world’s instability casts a long shadow on our conversations. Just the day before, 19 children and two teachers were killed in Uvalde, Texas. A few days before that, 10 people in Buffalo.

As a practical therapist, Christiansen is visibly upset by what happened the day before. “I’m not sure if I’m ready to do this,” she says, referring to our interview. “In a sense, art feels like a rearrangement of the proverbial deckchairs, or in my case, it’s decorating the deckchairs.”

Installation View, “Women’s Shaped Instrument”, Chicago Cultural Center 2022 / Photo: Claire Brit

Christiansen reveals a smile he knows, with deep maroon hair gently surrounding his sharp eyes. In almost an hour and a half, he discusses paintings, pandemics, lost loved ones, and the important need for space, both physically and mentally. As our conversation progresses, she becomes more vibrant. Her enthusiasm for art, music and Eastern philosophy is evident even through the flickering connections of Zoom Call everywhere.

Theoretically, “Women’s Shaped Instrument” is a group show featuring an exhibition by Leslie Baum and Serena Trep, in addition to Christiansen. In reality, it feels like a series of solo exhibitions in an adjacent gallery. Of the works of the three artists (all women, all middle-aged), Christiansen’s work seems to be the most outward-looking. Large-scale works of paper, such as the dialistic “weather forecast” and the fiery red accusations of the system, which is the “last day of capitalism,” provide clues to the theme in ways not found in many modern abstract paintings. I’m wearing it.

Installation View, “Women’s Shaped Instrument”, Chicago Cultural Center 2022 / Photo: Claire Brit

How does the world enter her work?

“At the beginning of the pandemic, my sister’s husband, one of my closest relatives, died of a coronavirus. He was very young. And about a year earlier, basically, I lost my parents back to back. “

The loss broke everything. And for the artist, the only way to deal with it was the same way she was dealing with Trump’s year.

“I just went out into the studio and tried this ritual. I started making these little pieces and sent them to some of the really isolated clients. They like” hold firmly. ” I will say that, and various other small affirmations. I was trying to give something that would connect me. “

That was the birth of the “weather forecast”, which began with the death of the artist’s brother-in-law.

The vast record of disasters, the “weather forecast,” is a never-ending, green and black Rorschach-stained memory of civilization-changing events. Black dots rise up the surface of the paper, separated by a date and a description of what happened that day. Near the top, the whole configuration seems to be open. “So I left a space there, because this illness just continues and continues …”

And, like many things, the exhibition, conceptualized many years ago, was put on hold for a pandemic.

“I think the date has changed a couple of times,” Christiansen summed up after a while. While she was late, her work that she proposed to show her first changed radically.

“My work has evolved and changed, and I’ve begun to be amazed at how much work I wanted to do, but with the help of my artist’s friends,” No, don’t. There is an entire wall of plaster paintings, “I edited into just a few.

The five large pieces on paper benefit from the clarity that space gives them. “Milarepa’s ears” are bold blue-colored slabs bisected by continuous white lines, interspersed with small portholes that reveal the sides of the painting below. It takes time for these moments to occur, and even in their revelation, it is not always clear what we are seeing. The viewer needs a spiritual distance to permeate the meaning of the work.

“When I counsel clients or help with marriage or anxiety issues, one of the things you have to do is create a lot of space and a lot of empathy.”

“And painting does that,” continues Christiansen. “You make time, slow it down, and that’s what Buddhism calls” communication. ” The whole knowledge is instantly transmitted in front of the painting. “

Despite the predominance of lens-based media for the past half century and the recent rise of fashionable “immersive” events, the strength and relevance of painting remains in its ability to communicate. The work may begin at the moment of tragedy, but the distance it gives us can lead to joy.

“I’m very happy about how the show was done and how great everyone’s work is. I couldn’t imagine how positive the reaction would be or how many people saw it. did.”

A warm smile fills Christiansen’s face and we both agree. An hour and a half after we started, we felt better. (Alampokaro)

The “Women’s Shaped Instrument” is on display at the Chicago Cultural Center at 78 East Washington until September 4.

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